Thursday, January 1, 2009
Jack Messitt & Happy 2009!!!
Jack Messitt brings us into the new year with his operator reel. Jack is a director of photography who has worked on a number of films and television shows (check out the video) including Bigfoot Entertainment's Midnight Movie and Tears from Afar (working title). Welcome to 2009!
Tuesday, December 30, 2008
Cute Overload on Campus!
It just turns out there are the cutest little kittens running around the Bigfoot campus, and after running after them with my intimidating camera I managed to catch a few moments with the adorable little critters. In retrospect, the kittens would have flocked to me had I a little bit of tuna or kitty snacks.
This was one fearful kitty, but extremely curious the moment you turn your back. Here's a closer look:
kittens! hooray!
Sunday, December 28, 2008
Irreversi
As Bigfoot Entertainment is an international production company, it produces material in multiple languages and for a variety of audiences. Check out the short snippets of this Bigfoot film, Irreversi/Hui Lu, which was shot in both Chinese and English. The film was shot in Hong Kong and has an excellent theme song by Muller & Patton.
Friday, December 26, 2008
Thursday, December 25, 2008
The Ghost of Christmas past...
Digging through the annals of Bigfoot holiday cheer, I found this cute Christmas video. Merry Christmas from sunny Cebu, Philippines!
Tuesday, December 23, 2008
Have yourself a Merry Little Christmas!
On Behalf of Bigfoot Entertainment and the orphans of the Albert Schweitzer Foundation we wish you Season's Greetings and a Happy New Year 2009!
photography by michalgarcia.com
Sunday, December 21, 2008
Deep Gold 101
Here's some behind-the-scenes action on Deep Gold's 101st shooting day to keep you in the holiday spirit! This particular feature follows the creation of a pool set to match the open-ocean scenes. Production designer James Thompson gives the art department specs and First AD Ken Sui brings it to life with the help of camera operator Rick Robinson. There's even an exciting introduction to show where the shot fits in the context of the film. Kudos to the BTS editor, Sujay Duhake!
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